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The mandolin tune that continues to play in the hearts of the listeners even after two-and-a-half decades of its initial release, deftly captures the desires and the yearnings of young love birds. The mustard fields, the dimpled and charming Raj Malhotra, and the mandolin theme – all of them together create a lasting and mesmerising visual effect. This movie’s background music is one of my personal favourites. While certain areas of this instrumental piece remind one of the meaningless wars in the name of religion, there are several parts in the background music that comfort us and make us hopeful of a peaceful world without any religious atrocities. I find the tune both haunting and comforting. The main theme portrays the helplessness of the common man, whose life gets unnecessarily affected due to the riots between religious groups. Rahman has skilfully tuned his tunes to match the theme and overall mood of the movie. The background score of this movie hits hard and for all the right reasons.
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The use of modernised versions of the same tune in the later movies Don (2006) and Don 2 (2011), by Farhan Akhtar, only goes to prove the immortality of the music. The classic soundtrack successfully brought to the fore the masculinity, power and enigma of the protagonist. Kalyanji-Anandji carved a stylish, pacy and intense background score that perfectly aligned with the ‘bad boy’ image of Don, the central character. And then, how can you forget the soul-touching harmonica tune? There is a blend of urbanity and rawness in the music that seems to predict the eventual union of Jai and Veeru with the Ramgarh villagers. Its melody creates a magical sensation even today. The music that accompanies the opening credits is an absolute treat to the ears. Though the songs of Sholay might not feature in his top five masterpieces, one cannot deny the immense popularity that the background score of this movie enjoyed.
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There is hardly any musical genre that the great music composer R.D. It is partly because of them that the movies that they are a part of have been immortalised and forever etched in our minds, hearts and memories. In this article, I have tried to focus more on the emotional chords that these background scores have touched, every time they have been played.
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Their usages and technicalities have been commented upon by critics and moviegoers alike. It is also said that Katrina Kaif and Vicky Kaushal’s wedding was attended by 120 guests including, Neha Dhupia, Kabir Bedi, Gurdas Mann, Shankar Mahadevan, Ali Abbas Zaffar, Sidharth Malhotra, Karan Johar, Farah Khan, and many more stars from B-town.A lot has already been spoken about Bollywood background scores. The source further adds that Vicky Kaushal and Katrina Kaif’s honeymoon is Kaushal’s idea as it’s always been his dream to recreate a Bollywood-themed, long holiday of the exotic locales of Europe he’s seen in movies like Dilwale Dulhania Le Jayenge, Zindagi Na Milegi Dobara, and Chandni.Īlso, considering that Kaif has been reportedly calling most of the shots for their wedding, such as getting the guests to sign NDAs, making entry via security codes mandatory, requesting guests to not use phones, and more, the honeymoon is being done according to Vicky’s wishes, as per the report. The vacation is expected to be for at least two months and will begin once both actors wrap up their pending work assignments.